Compression is often discussed in terms of loudness and gain reduction. In mastering, it is something else entirely. Last week I published an in-depth analysis of the Tone Projects Unisum mastering compressor , exploring how time constants, detector behaviour and envelope shaping translate into audible results in electronic music mastering. Rather than focusing on presets or “how to get louder,” the video examines how compression affects: – transient integrity– low-end stabil

In this video i wanted to share the idea behind the studio design, the acoustic treatment used, why i choose the Kii Three speakers for this room, why i work fully in ITB, my favorite tools and approach to mastering electronic music https://www.youtube.com/watch?v=Bl_At3LQfbA&t=331s More about the studio acoustic report More about my mastering process

Hey, audio wizards and fellow music makers! I'm excited to announce the launch of a new video series that’s been crafted for those of you...

Because you're not the Beatles and we're not in the 60's anymore, don't place sounds in stereo field like it was back then. Your...

First understand the main concepts in place for tight low-end control, the main problems and attention points, then watch how Basslane...

All you need to know about how those two tools interact with each other, how to avoid InterModulationDistortion, how to avoid aliasing to...

Explaining you everything about momentary LUFS, short term LUFS, Integrated LUFS, why streaming platforms normalisation might in fact...

Ever wondered what those different high-end limiters sound like? Here i compared Fabfilter Pro-L2, Sonible Smart Limit, Newfangled...

Let me tell you why and when you should and should not tune your kicks